This is a fictional exploration of time, but the foundation of fiction is a discussion about the future state of global beliefs. Existential alienation forces people to be involuntarily immersed in a symbol system dominated by money. The control of the symbol system redefines the way people and their self-beliefs engage in dialogue. God? Regardless of the way of presence, it is a myth about the future of humanity. The fabricated new century's Judas may only represent a crossroads for humanity lost in desire. A grim, replicable violence is brewing. Humans, relying on self-destruction, respond to a sense of powerlessness in the face of creation.

I intend to restore the links between modern art films and traditional art films made around last century. I am devoted to shoot an experimental film in response to film history with philosophical reflection on reality.And I believe film is an exploration of the multiple subjectivity of language, sound, and image.